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Available January 29, 2026 3:00 PM UTC
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An unprecedented look inside one of the greatest media experiments to hijack American screens. Rare archives from New York’s underground capture a world of creators who shattered rules, defied censors, and transformed our televisions into a free-speech battleground where anyone could be a star.

The internet and social media platforms may have given birth to influencers and content creators, but decades before their popularization, public access television such as New York City’s Manhattan Cable Television opened up the floodgates for technological free expression. With no editorial input allowed, ordinary New Yorkers had carte blanche to create — from the interactive Grube Tube to Glenn O’Brien’s underground scene free-for-all TV Party and the pioneering LGBTQ+ series The Emerald City. But when sexually explicit programming pushed the boundaries and stirred public debate, First Amendment court battles followed. David Shadrack Smith takes viewers through the unfiltered creativity and chaos of this paradigm-shifting new technology, which presaged today’s media-driven world. As Public Access cheekily warns, “Brace yourself! Nothing you have ever seen before can prepare you for this.” — BT

This film contains mature content and may not be appropriate for all ages.

Available in person. Also available online for the public (January 29–February 1) and credentialed press and industry (January 28–February 1). 

  • Year
    2025
  • Runtime
    107 minutes
  • Language
    English
  • Country
    United States
  • Director
    David Shadrack Smith
  • Produced by
    Sara Crow, Anne-Marcelle Ngabirano
  • Production Companies
    Part2 Filmworks, Olive Productions
  • In Association with
    Out for the Count
  • Executive Producers
    Wren Arthur, Steve Buscemi, Benny Safdie
  • Original Music by
    adore
  • Edited by
    Geoff Gruetzmacher
  • Archival Producer
    Anne-Marcelle Ngabirano
  • Additional Editors
    Maya Tippett, Craig Rinkerman
  • Assistant Editor
    Cristian Uriostegui
  • Music Supervisor
    Olivier Spencer
  • Cinematographer
    David Shadrack Smith
  • Graphics
    Norn Jordan, Erica Lee
  • Picture Finishing Services and Archival Processing
    Module
  • Colorist
    Steve Beganyi
  • Sound Design
    Ruy Garcia
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