A group of Black and Brown cis and trans women in Toronto’s ballroom scene share their personal identity intersections, and how ballroom has become a space to express their womanism in its fullness. An innovative theater production by master hula teacher Kumu Hula Patrick Makuakāne reclaims and celebrates the traditional place of honor and respect given to māhū (transgender) people. Lee Knight struggles to overcome injury and adversity in order to pursue their dream of becoming a bull rider in the International Gay Rodeo (IGRA). Queer artist Eve Wood reflects on the struggles of mid-career recognition, questioning the value of continuing in an unforgiving art world while awaiting her next solo exhibition.

Black. Brown. Trans. Cis. Queer. Immigrant. Full Bodied. Embodied. Femme. The Divine Femme is a conversation between women in Toronto’s ballroom scene. They share their personal identity intersections, and how they bring the presence and power of womanism to the runway!
The Divine Femme is part of the documentary short series, GRAND PRIZE.

The Divine Femme

MĀHŪ: A Trans-Pacific Love Letter is a short documentary about an innovative theater production by master hula teacher, Kumu Hula Patrick Makuakāne, which aims to reclaim and celebrate the traditional place of honor and respect given to māhū (transgender) people.
The film explores the history of the Hawaiian term māhū by interweaving the multi-media stage performance featuring the hula dance, chant, and contemporary music around intimate interviews with the artistic collaborators of the show who are all acclaimed Hawaiian transgender artists. As they prepare to open the MĀHŪ show in Honolulu, Hawaiʻi, we meet Kumu Hinaleimoana Wong-Kalu, a revered community leader, kumu hula, and filmmaker known for her activism in the field of kanaka maoli language and cultural preservation; Iwalani Hoʻomanawanui Apo, a revered loea, or expert, of Hawaiian music and master falsetto singer in the beloved Hawaiian music trio, Kuini; and Kaumakaiwa Kanakaʻole, a multi-award winning performer and great-grandchild of esteemed Kumu Hula Edith Kanakaʻole who was one of the seminal figures of the Hawaiian Renaissance. These contemporary artists share intergenerational stories from both older and younger māhū experiences that highlight the difficulties of navigating their transgender identities. In showcasing the talent of the ensemble who are expressing themselves artistically with openness and confidence, in a genuine and culturally connected way, MĀHŪ embraces the wide spectrum of gender rooted in the strength and validity of Hawaiian queer and transgender identities.
The term māhū itself is one of the most controversial words in all of the Hawaiian language, and one that has been used in the derogatory and pejorative sense which is now being reclaimed in this creative showcase to bring it out of shame. Māhū is the traditional Hawaiian term for transgender or the “expression of the third self which embodies both male and female aspects within while acknowledging and embracing both.” Māhū were an integral part of Hawaiian culture before the arrival of missionaries in the 1820s, respected as cultural standard bearers, artisans and healers. Today, in many Pacific Islander communities, māhū still face discrimination and unequal treatment due to their gender identity. MĀHŪ serves as a reminder to the Native Hawaiian community and the world that before colonization, before Western concepts of gender and colonial prejudice, there was an indigenous sensibility of queer culture that celebrated cultural truths based on inclusivity, diversity, and aloha.
Lead featured artist Patrick Makuakāne is a creative force in the hula world whose innovative art springs from an avowedly queer and socially conscious perspective. Patrick Makuakāne is a kumu hula, or master hula teacher, known for blending traditional hula with contemporary music and subject matter. Since 1985, he has forged his own unique form of hula – hula mua, or hula that evolves, with his San Francisco-based dance company, Nā Lei Hulu I Ka Wēkiu. With his work, Patrick continually reaches beyond the Hawaiian community to present hula to larger and more diverse audiences, within a format that is progressive, provocative, and yet still genuinely Hawaiian.

English

MĀHŪ: A Trans-Pacific Love Letter

Lee Knight struggles to overcome injury and adversity in order to pursue their dream of becoming a bull rider in the International Gay Rodeo (IGRA).

Into the Chutes

At mid-career, queer artist Eve Wood still chases success. “The art world is a horrible business, so why do I keep doing this?” With a solo exhibition looming, she waits in anxious anticipation: “Will anyone come? Will they like my work?” Will Eve ever get the recognition she craves?

Unfurled

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